
Turning Pixels into Streets: The Art of Invader
Turning Pixels into Streets: The Art of Invader
Have you ever spotted a little pixel-alien on a Parisian wall and thought, “That’s clever”? That’s the work of Invader – a Paris-born artist who took the 8-bit video game aesthetic and invaded public space with it. Wikipedia+2Maddox Gallery+2
From Arcade Game to Street Alias
Invader (believed to be French, born 1969) studied at the École des Beaux-Arts in Paris. Urban Nation+1 Post-school, he decided the gallery world wasn’t for him — so he hit the streets. Using ceramic tiles to mirror the pixel look of old games like Space Invaders, he began placing mosaics in Paris around 1998. Wikimedia Deutschland+1
What Makes His Work Tick
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Mosaic + Pixel: The technique is deceptively simple — small square tiles assembled into forms that recall 8-bit game sprites. Wikipedia+1
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Public Invasion: He treats the city as a game board. Each piece is part of what he calls an invasion — placed clandestinely, often at night, across walls, buildings and even high or hidden spots. Wikipedia+1
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Global Reach: His “aliens” show up in dozens of cities. Paris remains the heart, but they appear in Tokyo, New York, Berlin and more. Maddox Gallery
Examining the Practice
Tools & Process Snapshot
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Tiles and adhesives: He uses ceramic (and sometimes glass) tiles. Each piece is designed for its spot — size, colour and context matter. Wikipedia
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Location strategy: Many works are deliberately placed high, or in tricky spots, to resist removal and upgrade the cityscape. The New Yorker
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Documentation: After installation he records the piece — date, address, photo — and often publishes "invasion maps" listing the locations. Space Invaders
Iconic Moves
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One of his largest works in Paris was installed above the Place d’Italie in 2024 — a massive mosaic visible from afar.
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An artwork aboard the International Space Station: his piece “Space2” shows ambition beyond city walls. Space Invaders+1
Why It’s More Than Fun
Invader’s art does two big things:
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It makes you look at the urban environment differently — you might walk past a building you’ve seen hundreds of times and only then notice the mosaic tucked in.
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It raises subtle questions: What makes something belong in public space? Why reuse a video game icon? How does play relate to urban culture?
Quick Facts
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Alias: Invader (real name not publicly confirmed)
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Born: 1969, Paris, France
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Artistic start: Late 1990s, Paris streets
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Medium: Ceramic tile mosaics, “Rubikcubism” (art made of Rubik’s Cubes) Wikipedia+1
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Style notes: Pixelated, playful, often referencing pop-culture and video-games
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Locations: Over 4,000 pieces globally (as of 2020) Artsy
Want to Spot His Work?
When you’re in Paris (or other cities), keep your eyes up and open: look for small square-tile mosaics, in alleys, on rooftops, or at unusual heights. Because part of the fun is finding them.
Final Thought
Invader reminds us that street art isn’t only about spray-paint and tags — it can be playful, game-inspired, global and subversive all at once. These pixel-mosaics invite us to hunt, observe, game the city. And maybe the next time you pass a plain wall, you’ll see something you never noticed before.

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